The Unforgivable is a quite blatant attempt at using existing IP and notable, respected actors to push for the little golden boy. In that process, it fails to say or portray anything of substance.

Full Review: spoti.fi/3DGFVWd

2021 Ranked

The Unforgivable is a Netflix production from Nora Fingscheidt starring Sandra Bullock as Ruth Slater, who is released from prison into a society that won't forgive her past and she seeks redemption by searching for the sister she left behind. 
Also among that cast is Jon Bernthal and Viola Davis, in unfortunately underused roles within this rather dysfunctionally thrown-together mess of a film. 

The Unforgivable is clearly and quite transparently one of those productions that seek a nomination for its lead and maybe even some supporting players. Recently, Hillbilly Elegy comes to mind that puts amazing actors like Amy Adams and Glenn Close in a bad movie and gives them some ´acting´ moments to shine.
Bullock is no different in this, and I personally wouldn't consider her on the same level as Adams or Close, but more someone who I see chasing the little golden man ever since THE BLIND SIDE. 

Another factor is the story itself, a half-hearted attempt at telling a story of someone who is alienated by society because she murdered a sheriff. Now, this might be personal but I don't enjoy consuming media where policing is portrayed as this daily life and death job of high risk. Because that simply plays into the stereotypes of glorying police that we often get in movies. 
But even putting my own bias to the side, what we get is a melodramatic - but still - bland look at a person alienated by society.

At first, this film screams to be a ´based on true events´ type of film (which also plays nicely for the Academy - see Hillbilly Elegy) but it is rather an adaptation of a British 3 episode mini-series called Unforgiven from 2009. I have not seen that series, so I can't comment on how it compares to this 2021 film version.

What I can say though - and I´ve seen many other critics say the same thing - is that this clearly has the thematic depth of a mini-series that was now stuffed into a 2hr long film. 
Here, the issue of underused characters like Viola Davis´ Liz Ingram and Jon Bernthal´s Blake. 
Davis is probably hit the hardest from this, as she really hasn't got anything to do at all in the film apart from one scene where she gets loud. that's it. I won't be going into any spoilers in this review but even if I were - apart from her driving someone around - she really doesn't get anything to do.
Now Bernthal as Blake does get a bit more. He's introduced as a character whose intentions - apart from a romantic interest in Ruth - are somewhat unclear. Once we finally get around to getting something that could be potentially interesting through his backstory, he is completely shut out of the rest of the movie.

Instead, we focus on an idiotic, overdramatized, and a straight-up horrible third act that was set up - so incredibly obviously and without any sort of depth - by the two sons left behind from the dead cop. Their lines are just comical and feel like they were written by a kid doing a bit of quote-on-quote foreshadowing. It was laughably bad. 

But what do we actually get in The Unforgivable?
Although an attempt and showcasing the struggle to adjust to life after 20 years of imprisonment are tried, there´s close to no focus on Ruth´s struggle to find work - she actually finds two quite quickly - but instead, the narrative focuses more on her as this tragic character that has a lot of talents, like carpentry, which enables her to score a job. This sets up a theme of undercutting Ruth as a broken and flawed person and instead almost tries to redeem her and make her appear noble. 

Throughout the entire film, we are presented with flashes of flashbacks, setting this up to be a sort of thriller-like drama building towards a reveal. These scenes are also often realized in the simplest of ways by our characters remembering something in current them and a sort of flashback being provided. This gets stale and unimaginative very fast. It also grew more frustrating with me as Ruth in the current time wasn't really anything at all. She wasn't working on herself and simply had the mission to reunite with her sister. But apart from the shared tragic memory of the murder, there is not much more we get from those two characters as well. 

All in all, as you might have been able to guess, I wasn't big on Fingscheidt´s The Unforgivable. But to disregard the filmmaker entirely. Apparently her film from last year, Systemcrasher - which I have not seen yet but wanted to for quite some time - is quite great. 

The Unforgivable is a quite blatant attempt at using existing IP and notable, respected actors to push for the little golden boy and fails to say or portray anything of substance. 

3/10