Judas and the Black Messiah (2021)

Review on Quiet on Set Podcast HERE

Shaka King tackles the story of Fred Hampton, the deputy chairman of the Black Panther Party in this historic Drama-Thriller accurately titled JUDAS AND THE BLACK MESSIAH. The Warner Bros production hits theatres on February 12 (wherever they’re open) and will be available to stream for 30 days on HBO Max. Judas and the Black Messiah focuses mainly on Bill O’Neal, an informant who is forced to work with the FBI to escape from a decade-long prison sentence for impersonating an officer and lifting cars. He soon finds himself in the midst of the already exhausted Civil Rights Movement that suffered the loss of Malcolm X and Martin Luther King Jr. just a few years prior.

Daniel Kaluuya (left) as Fred Hampton & Lakeith Stanfield (right) as Bill O’Neal

Lakeith Stanfield plays the conflicted and often helpless Bill O’Neal with phenomenal moral ambiguity as he climbs ranks in the Black Panther Party and thereby increasing his value to the federal agencies. Stanfield has a way of portraying his multilayered and complex character with his eyes alone which does a great deal in humanizing what many simply regard as a sell-out, betrayer, or a Judas. Daniel Kaluuya IS Fred Hampton. He absolutely nails this performance on a level that is on par with Denzel Washington in Spike Lee’s Malcolm X (1992). Hampton is young, driven, and selfless. A man on a mission. King doesn’t shy away from presenting the radical side of Hampton or the Panthers either.

It balances the ambiguity of characters’ intent and results quite effectively. As a result, whatever atrocities and injustices were committed, we have history to look back onto to judge who was right or wrong. Hoover, for instance, played by Martin Sheen, is simply a clear-cut villain from start to finish, which accurately displays this monster of a man. The far more interesting dynamic and dramatic tension comes from Fred and Bill as they grow a bit closer. To its own benefit, the film never falls into traps of sentimentality or overdramatizing events and allows this to be a thriller that has you tensed up even if you are aware of the ultimate devastating outcome of Hampton's way too short a story. Jesse Plemons as FBI agent Roy Mitchell, Bill O’Neal’s contact person, has his own smaller arc in the form reversed version of Bill’s journey.

In addition to a quite successful second feature directing effort, Shaka King furthermore delivers a fantastic original screenplay with Will Berson, Kenneth Lucas, and Keith Lucas as his collaborators. The frequent Steve McQueen collaborator Sean Bobbit (12 Years A Slave/Widows/Shame/Hunger) packs award-worthy shots into the tightly structured narrative and Sam Liscenco’s (Uncut Gems/Good Time/Eight Grade) Production Design reanimates late 60s Chicago in a stunning manner. 

Judas and the Black Messiah doesn’t take your hand along the way and avoids dumbing down characters based on real people for a simpler plot. There might not be a courtroom full of people clapping, seemingly creating a false sense of having overcome a complex and layered issue. (Trial of the Chicago 7). Judas and the Black Messiah, on the contrary, packs a devastating real ending after Fred’s already exasperating assassination that left me speechless and depleted.

Daniel Kaluuya (top) as Fred Hampton & Lakeith Stanfield (center) as Bill O’Neal during a powerful speech

Shaka King’s Judas and the Black Messiah packs the best performances from both Stanfield and especially Kaluuya in addition to being a thrilling portrayal and humanization of an iconic figure from the Civil Rights movement. Additionally, it’s a dire reminder of the countless criminal and ruthless acts committed by the FBI.

4/5

Queen & Slim

Think you’ve been on a bad tinder date? Well, think again, because Queen & Slim has come to change your mind.

We meet Queen and Slim, an African-American couple, having their first date at a cheap diner. It does not go very well, so they decide to leave and Slim offers to give Queen a ride home. The two aren’t getting along very well and it’s clear that they won’t see each other again. Until a police officer pulls them over. We, as viewers and the duo are then confronted with an agitated police officer, who isn’t calming down. After an altercation, the police officer takes a shot at Queen, grazing her leg, and Slim shoots the police officer in self-defense. 

What do you do? Stay and possibly spend a lifetime in prison? Or do you run and risk everything for the slight possibility of fleeing successfully?

Queen, a criminal defense attorney, decides that in this case, it’s better to run.

Queen & Slim marks the directorial feature debut of Melina Matsoukas, who is best known for working with pop stars such as Beyoncé, Rihanna and Lady Gaga on some of their most influential music videos, such as Just Dance, We Found Love, Pretty Hurts, Formation and many others. It’s clear that Matsoukas is excellent at making music videos, but features? Not as much.

The film certainly opens strongly and gives the viewer a promise of a great story. In fact, the first 15 minutes might even be the best part. Instead of living up to this promise, the whole story feels like a veeeery long short film, which is stuck in a timeless continuum. The last 15 minutes of the story managed to pick up my interest again for a great finale, even though it felt a bit cliché, to say the least.

Matsoukas definitely knows how to make a film look beautiful. It has some great shots and is visually appealing, but feels all together very dreamy and unrealistic, which isn’t exactly what the story intends to go for, at least at the beginning. All in all, one could say that the story is mediocre. The execution doesn’t lack in spectacle, but the film is so set on making Queen and Slim icons of the Black Lives Matter movement and all of it so deep, that it just feels forced and overdone. Combine this with bizarre choices in sound editing and the climax pun and it just doesn’t really seem to work. (You’ll know what I mean once you’ve seen it)

Finally, the story all just feels very lucky and unrealistic. The characters never seem to run out of luck. The collaboration of Matsoukas’ directing and the writing by James Frey and Lena Waither just doesn’t mesh well. Matsoukas’ intention is to create an everlasting story, which clearly attempts to become an icon for the Black Lives Matter movement but instead, it just overdoes it and bores. Again, not the first and last 15 minutes though! 

What I personally was able to enjoy most, was the cast. Daniel Kaluuya doesn’t have to prove himself anymore, we all know that he’s a great actor and together with Jodie Turner-Smith the two make a great duo. Also noteworthy are Chloë Sevigny and Indya Moore, the latter giving us some much needed queer representation.

In conclusion, Queen & Slim is a good movie, but it feels more like a stretched out short film. 

★★★⋆☆

Also, next time, consider Canada instead of Cuba. Your chances might be better.

Release date (Switzerland): 09.01.2020

Release date (USA): 27.11.2019

Film data: Director: Melina Matsoukas - Screenplay: Lena Waither - Story: James Frey and Lena Waithe - Cast: Daniel Kaluuya, Jodie Turner-Smith, Bokeem Woodbine, Chloë Sevigny, Flea, Sturgill Simpson, Indya Moore, Benito Martinez - 131’ - USA - 2019 - Universal Pictures

Photo and Video Source: © Universal Pictures International Switzerland. All Rights Reserved.