The Tragedy of Macbeth (2021)

INT. A STARRY CAST - NIGHT

Joel Coen is already a great established director with the combined work alongside his brother Ethan. But this is the first time Joel is dropping solo into the big bad battle royal world that we call ‘Cinema.’ Joel strikes gold with his retelling of Shakespeare’s beautiful story, fantastic cinematography, and, above all, a perfect cast.

I first want to prise the use of light in The Tragedy of Macbeth. Black and white films are renowned for shaping and folding light for different effects. But I think of more recent B&W films such as The Lighthouse, I see how simply this film uses its lighting. While I still believe that The Lighthouse has overall a better aesthetic than The Tragedy of Macbeth, the overall simplicity of this film shows how if you have a great story, you don’t need anything too flashy.

While everything is simple, there’s nothing simple about the cast. Denzel Washington, Frances McDormand, Brendan Gleeson, Alex Hassel, Cory Hawkins & Harry Melling. Each character feels perfectly cast (even if one of them is your wife) and they all perform the most confusing but beautiful dialogue of recent memory.

I don’t blame Denzel’s action fanboys for skipping this one. Joel and Ethan Coen are well known for that Coen brothers’ style and while it’s not present here, Joel tells a phenomenal story without anything too flamboyant–dramatic sure, but not over the top ridiculous like Buster Scruggs in The Ballad of Buster Scruggs. Let’s hope that it’s not Joel’s last solo adventure because more films like this would be great!

FADE OUT

#82 - The Tragedy of Macbeth & The Lost Daughter

Spoiler Review: 43:53

Halloween Kills

INT. HALLOWEEN: MICHAEL STRIKES BACK - NIGHT

Michael Myers is back and he’s mad as all hell.  I’ll start off by saying, I’m not a horror guy. The list of my favorite horror films is a small one: The Texas Chainsaw Massacre, Alien, Midsommar. But for me, sequels that ‘bring the heat’ will always be rated higher. Halloween Kills is the Aliens in this rebooted trilogy. Spooky, tense, action-packed and it’s the sequel to a horror movie, after watching this movie you’ll see what I mean. Michael Myers is still the horror icon he has always been, but someone has been watching John Wick.

While Halloween (2018) might be the horror reboot, and the start of this trilogy. Halloween Kills, the ‘second act,’ as I’m calling it, shows us the terror/power Michael has, setting up the final battle between him and Laurie which we’ll hopefully see in Halloween Ends. Speaking of Laurie, she’s become the Sarah Connor of this universe, which we saw in the previous installment, but in this film, she’s the one on the sideline. Laurie is just spilling exposition, we often cut back to her telling another character how ‘Michael is “MORE THAN A MAN”, He’s transcending into something more’ speech. While many hardcore fans might be disappointed that she’s not going head-to-head with Michael again, I’m not, because this film isn’t about their epic battle. We learned what Laurie can do in Halloween (2018) and we learned what Michael can do in Halloween Kills. Setting up a massive conclusion for Halloween Ends. No pressure to the filmmakers.  

For those not enjoying this film, maybe not every ‘reboot’ should follow the same structure as the original (look at the latest Star Wars movies) Halloween Kills stands on its own two feet, it’s the action-horror it can and wants to be. Michael is terrifying, Laurie is a backbencher, Allyson takes the fight to Michael, legacy characters you’ll have to make your own opinion on, but I liked their inclusion.  If you want horror, it’s there, but go in wanting action and you’ll love it.  

Review on QOS Podcast: HERE
Halloween (1978): 46:42

Halloween (2018) / Halloween Kills

Non-Spoiler Review: 59:36 - Halloween Kills: 64:15

Spoiler Review: 67:38

Ratings: 83:49

The Green Knight is the best film of 2021

INT. WHEN HONOUR IS EVERYTHING – DAY 

The Green Knight isn’t another retold Arthurian tale on its 10th remake. This is the intimate tale of Sir Gawain, the not-yet-honorable and not-yet-a-knight nephew of King Arthur, and his journey into a world full of mystical challenges and honorable ones too, to complete The Green Knights seemingly impossible to cheat challenge. 

We start within Camelot’s walls, perfectly protected from the evil and folklore surrounding it nothing is out of the normal here. Like any Arthurian legend, Camelot is safe, but The Green Knight is a world of magic and eccentricity, by easing us in we too experience this journey that Gawain embarks on. We thought we knew the rules of the world, but Camelot is a haven compared to the world we enter together.
We have a backdrop; the stage is set. The Story?...

During the Christmas celebrations, The Green Knight appears to set the challenge.

Should he land a blow, then one year hence, he must seek me out, He shall find me and bend a knee and I will return what was given to me. (Paraphrased) 

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Minor spoilers to follow.

Gawain accepts and this is the story we follow. We understand the outcome that is to take place and we follow Gawain to the honorable yet expected death that awaits him.

This film knows what it is, something rare to find these days (Unless it’s an A24 film.) The style, tone, and atmosphere are confidently displayed in every scene, shot, and line. Performances are top class; Dev Patel holds the film together like glue, with one of his strongest performances to date. Minor roles are handed out to established talent, Joel Edgerton, Sean Harris, Alicia Vikander. Nothing ever feels undercooked when it comes to the characters and their performance, and no character feels over-the-top in this over-the-top world. 

The world-building is epic, in both scale and in how fucking cool it is. It doesn’t diverge from established Arthurian ideas and themes but modernises them in classic indie style. We ease our way into it from the norm set in Camelot to Giants walking across large plains and this is where I can separate audiences that will love or hate this movie. Spirits or warfare, pick one. Because the film has both, however, it will use one as a backdrop and one to continue Gawain’s journey. People either want action or a mystical adventure and as I said earlier this is an intimate tale, so don’t go expecting an Arthurian John Wick (although hit me up when that movie exists.) 

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Gawain knows the challenge set, The Green Knight will return what was given, and Gawain straight up decapitated him. The end of Gawain’s journey will hit you, depending on how much you enjoyed this film you’ll either be amazed or just pissed off. But this film stands on its own two feet saying, ‘this is the story we want to tell’, and for me at least, it left me thinking about it for the rest of the week. The Green Knight, right now, is my favourite movie of the year. I challenge another movie to knock it off, but it might make it into my Letterboxd favourites, yet it could be the high I’m on from it. Another sitting will be necessary. 

If you didn’t believe that Dev Patel wasn’t already a king, this movie will help you reinforce that message. 

So, if you couldn’t tell, I loved watching The Green Knight. 

5/5

FADE OUT

Pig (2021)

INT. PORKCHOP – DAY

This film, like many others, has the potential to be a great movie, but it also has the characteristic of a flop. You have, first and foremost, Nicolas Cage. An actor who stereotypically doesn’t play tame, slow roles. You also have a very small budget with a very large-scale idea and, at least according to IMDB trivia, an untrained pig. If I told you these things without showing you a trailer or any screenshot of the film, imagine what that film would be.

That image in your head is from alternative universe because in this reality, it’s a fucking hit.

All the pieces are laid out and putting it all together seemed near impossible, there can be some pieces missing here and there however, the overall picture is clear.

Cage pulls out one of his best performances, one that doesn’t reach the same level as ‘Joe’ but comes very close. The smaller budget required excellent storytelling to be front and centre, and whilst originally having a runtime of two hours, cutting it down to the 90-minute runtime was again another very good move.

Cage is the glue to hang the picture on the wall. He captivates every scene he’s in, drawing me in with what mysteries he’s hiding. There were so many times I thought, this can’t be the same guy from, most recently, ‘Willy’s Wonderland’ (which I watched about 40 minutes of and had to turn off) or even ‘The Wicker Man.’ It is a brave performance, reminding me that we need to give this man another Oscar.

Alex Wolff holds his own too. Not his strongest performance to date, however I can see Alex rising over the next few years, after all every actor needs to have a fun role occasionally and Nic Cage has been doing fun roles for a very long time.

Finally, a word of warning, many of my friends who saw the trailer and read up about the film thought this would be a ‘Nic Cage – John Wick’ movie, and while yes, the trailer gives that vibe, it’s nothing like John Wick. So please, don’t go into this movie wanting that, you’ll come out disappointed. Go in expecting to see a well-crafted film and be surprised with the journey it takes you on.

Because honestly, if Nicolas Cage wanted his pig back, I wouldn't care who he is, I’m giving him his fucking pig back.

FADE OUT.